Still in the uninspired stage, so why not throw some paint on the canvas. Decided to do an abstracted city/landscape. Looks part skyline, part fall trees, but it all came from my minds eye. I'd rather rely on a reference when I do my art, but sometimes it's best to stretch a little. Played with the palette knife somewhat on this and it's an addictive tool. My follow studio mate, Linda, loves to paint with palette knives. I don't think she owns a brush, but it doesn't seem to hinder her because she does amazing art. One of the basic rules I learned was not to cut your canvas in half, and that is exactly what I did. Not literally, but you can see the "horizon line" is right smack dab in the middle. Abstracts are interesting because they can be just about anything, but it does help when you follow basic rules of painting. Abstracts are not as easy as they look. Oh, I could do that!, is what you hear so often in a museum or galleries. Well, my advice to those who say that is to try it and maybe then they'll have a better appreciation the abstract. A good abstract is planned and considered, just like any other type of painting. Still a little scared of the paint at this point though. Not brave enough to really goop the paint on the canvas, even though an abstract is perfect for a heavier application. The texture of the paint can add a nice element. I did sell this one and was pleased that my boss was the one who purchased it. She saw it in my trunk. So that's a trunk show. I had no idea. She's a good boss to support me that way. She see trees, by the way.